This view is reinforced by the rendering of God in the outer panels as a tiny figure in comparison to the immensity of the earth.
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It dates from between 14, when Bosch was between 40 and 60 years old.
As so little is known of Bosch's life or intentions, interpretations of his intent have ranged from an admonition of worldly fleshy indulgence, to a dire warning on the perils of life's temptations, to an evocation of ultimate sexual joy.
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However, in contrast to Bosch's two other complete triptychs, The Last Judgment (around 1482) and The Haywain (after 1510), God is absent from the central panel.
Instead, this panel shows humanity acting with apparent free will as naked men and women engage in various pleasure-seeking activities.
these panels lack colour, probably because most Netherlandish triptychs were thus painted, but possibly indicating that the painting reflects a time before the creation of the sun and moon, which were formed, according to Christian theology, to "give light to the earth".
Bosch renders the plant life in an unusual fashion, using uniformly gray tints which make it difficult to determine whether the subjects are purely vegetable or perhaps include some mineral formations.
Continuing down a path to nowhere, knowing it's not feeling right, creates hurt feelings. Ken Solin is an author, lecturer and blogger who writes about families, relationships, dating and more from the perspective of a 50-plus.